Gaius Takes The Drawing Back To Rome:
Right in front of Gaius Antonius’s eyes was an elaborate, detailed drawing of the latest Carthaginian warship which had obviously been constructed since the last war. Its giant wooden hull was massive and impressive and unlike anything else the Carthaginians had sailed into battle up to this point in either the First or Second Punic Wars. In fact, it looked better than anything that the Roman navy had access to at this moment.
It led to the question about how many more of these ships did the Carthaginians possess and where were they hiding them? Perhaps in harbors of cities friendly to them? Perhaps even here in New Carthage? New Carthage had a large, impressive harbor. He had not had a chance to examine every square corner of it.
Gaius quickly got up to lock the door to the room. At least he had that much presence of mind. He did not want anyone barging in on him and attacking him when he was carefully examining the drawing and surprising him. If any of those watchmen had followed him back to the apartment building they might try something like that when they thought he was otherwise distracted.
He sat down again and spread the papers out on the table before him. The prow of the Carthaginian ship was painted bright blue with the drawing of an eye of their chief god, Baal, guiding them into battle. The rest of the hull was bright red and rather fiercesome looking. Together they constituted the chief colors of the Phoenician city state in northern Africa, blue and red. The golden oars shot out from the red hull so numerous that they could not be counted. They were like the legs of a spider. The big white sails had giant golden lions drawn on them.
Cato had been impressed with Gaius’s discovery, too, and they had planned to analyze the drawing in detail and discuss it with various members of the Roman Senate when the time came. Cato thought that now that the Carthaginians had finished paying their reparations to Rome for the last war they were using their money to improve their naval fleet.
He wanted Gaius to show off his drawing to the full, assembled Senate to make them angry, indignant, and fearful and eventually to call for war. As Cato had said many, many times, “Carthago delenda est”, or “Carthage must be destroyed.” He must complete what he had set out to accomplish.
Gaius Antonius was all too aware that Cato could not accomplish his aim without his assistance. He had to have the visual proof to shove right in front of the noses of the Roman senators. Gaius had to make it seem as if the senators were there with them in the harbor of Carthage on the Mediterranean shore of North Africa. They had to have nightmares about ships that looked like this two-toned monster with the sails flaunting golden lions sailing through their sleep to get them disturbed enough to act.
It was up to him to get this all important drawing back to Rome in short order. He folded it up and stuck the drawing into a fold in his robes. He looked tensely to both sides. Should he wait until tomorrow? Or should he try to take ship right now? It was already early afternoon, but ships left the harbor right up until sunset.
He had no business here in New Carthage otherwise. He had what he had come here to find. Lingering could only cause trouble big time.
He left money for the apartment owner in the center of the table, threw his cloak over his shoulders and head to disguise his identity, and made his way down the stairs to the ground level. Before emerging onto the street, he looked carefully in every possible direction. He did not see anyone lingering about looking towards him as he started on foot towards the harbor. He stopped at every street corner to study the scene about him. Only ordinary housewives and businessmen going about their daily business were in evidence anywhere he looked.
As luck would have it Gaius found a Roman merchantmen in the harbor. It had just unloaded a shipment of fine wines from Italian latafundia outside Rome. Cato ran such an operation on his estate and had just written a book about it called On Agriculture, which was noted to be the first such work using fine Latin prose. One of his wines could have been aboard.
Gaius Antonius boarded just before the ship cast off. It was sailing along the coast of Spain and planned to make landfall a few cities hence before darkness stopped the ship at port for the night before continuing on back to Rome across the Mediterranean Sea, or Our Sea as Romans liked to call it.